Victoria McDonnell

Diving deep into your own life to find your voice, the selfish nature of being an artist, the power of observation, and reacting to marks and layers are all considered during my conversation with Victoria McDonnell.

Victoria relocated from Bogota, Columbia – at the age of 28 – to the rural countryside of Norfolk, UK. The cultural change was already overwhelming, but the language barrier added another layer of challenge. It was an act of courage, driven by love, to move to a town of just over 300 people. In response, she turned to the language without words – art – which became her constant companion that has deepened over time.

Victoria offers glimpses of familiarity in her subjects, inviting viewers to engage playfully while allowing ample room for personal exploration. Working across a diverse array of subjects in oils and acrylics, she unifies them through the lens of abstraction.

Victoria’s latest obsession is ‘Chairs,’ a project of exploration, observation, and discovery. Inspired by the simple objects that are central to our daily lives and our personal connections with them, she examines the narratives they embody. Whether it's the chair in the corner that sparks conversation, the kitchen chairs that keep the family united, or the old nursing chair passed through generations, each chair tells a different story.

Takeaways

“Not having distractions is my best friend.”
The more you put yourself out there, the more comes your way. Little steps give way to little successes and they all add up.
“Through her eyes we organized my mind.”
Abstraction requires a lot of confidence.
Every chair has a story.

Victoria McDonnell

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